Captivating Kinetic Sculptures
Millar creates each piece entirely from scratch, driven by his meticulous attention to detail. As a result, he follows a production process that is time-consuming and requires great patience.
For example, he began working on a piece titled ADIT 42 when he moved to Montreal, and it took him two and a half years to complete. The artist describes this work as “a kinetic sculpture that opens doors to reveal a path into a phantasmagorical world.”
A Kenophobic Approach
Inspired by portals, secret passageways, and nonlinear storytelling, Millar describes his artistic approach as “kenophobic”—a dislike of empty spaces.
He densely fills tiny vignettes, platforms, and compartments with jewel-like shapes, miniature portraits, architectural elements, lighting components, clocks, dials, and miniature landscape paintings.
